The Mex Files

Entries categorized as ‘Pedro Infante’

(Late) Friday Nite Video

10 May 2008 · Leave a Comment

Rainy season is coming… which made me think of this.

Probably the only statue to a cop in all of Mexico (except for the generic one to the night watchman in the Insurgentes Metro Station Plaza) is here in Mazatlán. Though it’s not to a cop, but to Harley riders … and specifically to Mazatlán’s favorite favorite son, the singing Harley riding cop … Pedro Infante:

Pedro was the epitome of cool… and motorcycles, pretty girls, a singing sidekick (OK, Pedro had Luis Aguilar … and nobody’s gonna top that)… is never going to go out of style.

Categories: Kumbia · La Raza (Mexican cultures and peoples) · Mazatlan · Movies and TV · Music · Pedro Infante · Real Mexico · Rock en español

Antonio Aguilar, D.E.P. (17 de mayo de 1919 – 19 de junio de 2007)

20 June 2007 · 6 Comments

One of the last of the greats from Mexico’s “golden age of cinema”, corredo singer and actor Antonio Aguilar, died Tuesday in Mexico City. He was 88.

Aguilar, the only Hispanic performer to have have sold-out concerts at Madison Square Garden (six times!), was never the sexy lead that Pedro Infante was, but he had no peer when it came to singing on horseback. On-screen a combination John Wayne and Roy Rogers, off-screen he really was a rancher and horseman. Reportedly he was once asked to stand for the Presidency, but turned it down saying he preferred his horses.

His cremated remains were scattered at his beloved “El Zochiate” ranch in Zacatecas, where he was born on May 17, 1919.

Like other Mexican actors and singers, he doubled as a producer and screenwriter. His son, pop singer Pepe Aguilar, was born in San Antonio, Texas, where Antonio and his wife, actress Flor Silvestre, were performing at the time (yeah, Flor was working well past her due date… Mexican entertainers work hard!). Antonio himself worked as an “illegal alien” in Los Angeles for a few months as a young man.

As an adult, he appeared in several Hollywood movies, notably the John Wayne-Rock Hudson feature, The Undefeated (1969).

Aguilar was active in the movies from the early 1950s through the 1990s. His last role was as Pancho Villa in 1994. He wrote and produced screenplays throughout the 70s and 80s. Like Wayne and Rogers, he was a living and breathing, horse-lovin’ (and gloriously singing) embodiment of the national mythology.

Though he was cremated after dying from pneumonia (he had been hospitalized two weeks ago, and didn’t respond to treatment), he sang about wanting to be buried with THE flag…

¡Aiiiiii-yaaaaaaaaa!

Categories: Antonio Aguilar · Corridos · John Wayne · La Raza (Mexican cultures and peoples) · Movies and TV · Music · Pedro Infante · Pepe Aguilar · Provincia · Real Mexico · Rock Hudson · Roy Rogers · Texas · Zacatecas

The internet, God and Pedro Infante… how much more Mexican can you get?

16 April 2007 · 2 Comments

Sunday was the 50th anniversary of Pedro Infante’s death (in a plane crash in Merida).  Cardinal Norberto Rivera had a full house for a change … at least 2000 to hear morning mass, with a sermon built around the theme of “Compassion and Christian Love… and the films of Pedro Infante”.  The sermon was carried live via radio, television and internet in Argentina, Peru, Costa Rica, Italy, Germany, Poland and parts of the United States. 

Burrohall, who managed to move to Mexico without knowing who Pedro Infante was (how did he get residency… I’m sure it was on the test), nicely summarizes his appeal in gringo terms:

Infante was the most beloved singing movie cowboy of the black-and-white era. Sort of the Mexican Gene Autry, though his iconic stats is more like the Mexican Elvis Presley. Exactly 50 years ago (as of 11:12 this morning), he became the Mexican Buddy Holly.

Burrohall forgot one — the Mexican Rocky (Pepe el Toro).  Or maybe Rocky was a Americanized version of Pepe.  The Sonora-born self-taught crooner proved he was more than just a singing cowboy with his his performance as a Tepito boxer supporting his family, in the 1953 classic. 

Mexico in the 50s was conscious of its move from a rural to an urban culutre, and Pedro Infante’s personal story (the young ambitious provincial who moves to Mexico City and works his way up the social ladder), carried over into his films.  He was often typecast as a charro, mostly because of his Norteño accent, but Mexicans saw themselves in Infante’s characters… or the best of themselves:  well-intentioned, not always playing by the rules, but within the bounds of tradition.  And open to their emotions and experiences. 

The posthumously released Tizoc, considered his finest film, cast him as far from a Norteño charro as he could get… as a traditional Indian.  Tizoc is a tragedy, the story of a poor, simple indigenous man who falls in love with the visitor from the wider, complicated world, Maria Felix.  Felix is clueless that her acts are cultural signs of love, and is unable — or unwilling — to respond.   

I don’t think a guy who had three of his children by a woman not his wife (shocking!) is a candidate for “official” sainthood, but the saint of hoods.  Elvis and Jesus both are painted on velvet, and both said to have been seen after their death.  Rumors that Infante survived the plane crash surface from time to time, and — while there is a Church of Elvis — I don’t think you’ll find Elvis’ image in any Catholic Church… or even semi-Catholic one.  However, there is a “saint” (though not approved by the Church) especially dear to Infante’s fellow norteños, Jesus Malverde.  While best known as the “narco saint” Malverde is revered by the poor and downtrodden, the Tizocs and Pepes of our time. 

Jesus Malverde, probably not being a real person (he was allegedly a bandit in the late 19th century), wasn’t particularly saintly, and nobody knows what he looked like.  But, we know what a charro and Mexican hero SHOULD look like.  

jesus-pedro.jpg

Categories: Catholic Church · Ciudad de México · Folklore/customs · Jesus Malverde · La Raza (Mexican cultures and peoples) · Maria Felix · Movies and TV · Mérida · Pedro Infante · Pepe el toro · Provincia · Real Mexico · Religion · Sonora · Tizoc

Light up a cohiba and enjoy the Friday night video

30 March 2007 · 2 Comments

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A discoverer of hidden motives who pointed people in the direction they needed to go to resolve their conflict, a witty commentator on the worlds’ absurdity and a Latin American icon… and somebody you always think of when you say “cigar:…

Of course, I mean Sara García (hey… this is the MEX files, remember?)

García’s very long film career begin in 1917 with Alma de sacrificio, Azteca Studios first production.  She was a 22 year old convent school teacher, looking to make a little money on the side. She’d go on making films until her death in 1980… playing in 146 in all, as well as appearing in television productions, writing, producing and directing films… and becoming a staple in Mexican pantries. 

In 1940, when she was only 45, García took out her front plate, put on her glasses and… created a Mexican icon. In every movie she was in — and it didn’t matter whether she was playing a historical figure, a peasant or a dutchess – she was wearing those tortise-shell glasses and smoking her cigar. Whether really necessarily for the script or not (and Mexican scripts usually did call for it), a place was found for “Abuelita”

The 1946-47 “García” films … Los Tres García and Vuelven los García,  were a vehicle for Pedro Infante — as usual — the charro, macho, and  slacker.  Sara is the matriarch of the Garcías in a melodramatic tale of the family’s feud with the Lopez family…  ”granny” controls the family, even (by the end of Vuelven los Garcia)  from beyond the grave — with psychology, humor and sheer Latin American orneryness… and with a cigar always in hand.   

From the 1947 Vuelven los Garcia, Pedro Infante sings Maldita sea mi suerte

sara_garcia.jpg

 

xxx

Categories: Fidel Castro · Groucho Marx · La Raza (Mexican cultures and peoples) · Little old ladies · Movies and TV · Pedro Infante · Real Mexico · Sara García · Sigmund Freud

¡Feliz día de San Patricio!

17 March 2007 · Leave a Comment

Agrarian…

………..Catholic

………………….. next door to English-speaking Protestants

(who occupied big chunks of the country) …

… and.. as a result, ended up living on remittances sent home by workers…

and spent their time in the movies drinking or singing

… and conquering John Wayne…

… where the Virgin Mary appears to Archbishop’s servants (Juan Diego Cuauhtlatoatzin in December 1531 at Tepayac; Mary McLoughlin, August 1879, Knock, County Mayo) and regularly elsewhere…

guad-knock.jpg

… when they aren’t siring boxers…
delahoya-johndevlin

Maybe the Mexicans are Irish. 

Who’s to say the country where the last Viceroy was Juan O’Donaju (“O’Donohue”), and one of the great Military units los San Patricios (led by Capitan, John Reilly), the first modern President an Obregón (who some claim was an O’Brian), and artists named O’Gorman and O’Higgins shouldn’t be celebrating today…

Saint Patrick drove the snakes of the Emerald Isle, though they are still seen after the Irish, in reverence to God, who invented whiskey to keep them from ruling the world, consume mass quantities in their local houses of worship, called “pubs.” 

The Mexicans, having only God’s ministers, the monks, to thank for Tequila, also give thanks to the creator in the local cantina.  But, they don’t need to consume HUGE quantities to see the snakes.

There’s no rainbow… and probably no pot of gold out here in the desert. Keep the Mex Files wearing green…

Categories: Alvaro Obregon · Catholic Church · Emigrant labor/remittances · Humor · Ireland · John Wayne · Juan O’Donaju · Juan O’Gorman · La Raza (Mexican cultures and peoples) · Mexican History 1810-1824 (Independence) · Mexican-American War · Movies and TV · Pablo O’Higgins · Pedro Infante · Religion · San Patricios · Snakes · Virgen de Guadelupe

Alfredo Ripstein (1916 – 2007). D.E.P.

23 January 2007 · Leave a Comment

Parral, Chihuahua native son Alfredo Ripstein, whose career as a producer stretched from the 1930s into the new millenium died this weekend, after becoming ill during his 65th wedding anniversary party.  Like so many of his fellow movie moguls north of the border from his era, Ripstein was the son of Jewish immigrants.

Ripstein produced 100 films during his long career.  Though he worked with some of the best (Pedro Infante and Gael Garcia Benal) during his 70 year career, he also produced his share of “churros”:  Pantano de las ánimas (1957), released in English as “Swamp of the Lost Monsters”, which somehow combined your typical Mexican cowboy movie with a hardboiled mystery with a monster movie.  It was so bad, some critics aren’t sure to this day if the whole thing wasn’t a joke.   

In his old age, Ripstein was a major figure in the the new wave of Mexican cinema, producing the internationally acclaimed Callejón de los milagros (1995, released as both Miracle Alley and Midaq Alley in English) and, in 2002’s controversial el Crimen del padre Amaro.  Both these films were based on foreign novels (Miracle Alley on the contemporary Egyptian novel Nobel Prize-winner Naguib Mahfouz and Padre Amaro on an 1875 work by Portugese novelist, José Maria Eça de Queiroz), recast as Mexican stories in contemporary Mexican settings. 

Ripstein was the father of director Arturo Ripstein. 

Here’s the trailer form Ripstein’s best known (and probably best overall) production:

Categories: Alfredo Ripstein · Arturo Ripstein · Callejon de los milagros · Chihuahua · Crimen de padre Amaro · Gael Garcia Benal · Jews · Movies and TV · Parral Chih. · Pedro Infante · Provincia

Los Tres Huastecos… o … La conquista mexicana del (cyber)espacio

9 August 2006 · Leave a Comment

The Unapologetic Mexican (“Prettier than Lou Dobbs and smarter than ten Aryans”) bears an uncanny resemblance to Its a Mad, Mad, Mad, Mad World – which in turn is a less kinder, less gentler version of the fashionista uprising being fomented by that merry Reconquistador. All the brilliant work of Wreckingboy, who is busily crossing the borders of cyberspace and is here to stay. — like it or not, gringo!.. Great work, Joaquin!

Photo of Pedro Infante, Pedro Infante and Pedro Infante,

from “Más de Cien Años de Cine Mexicano”, ITESM.

Categories: Artists, Writers, Philosophers, etc. · Evil-doers · Humor · Lou Dobbs · Media · Pedro Infante · Reconquista myth